What can our families teach us about photography?

The park I
One way of viewing time is as an enemy, an adversary with whom you must do battle. Sometimes this is how I feel. Between work and the daily grind of life you can get stuck in a rut, feeling like there is no way of getting out. Creativity and doing the things you love can be an antidote to all of this. A panacea for the sole.

I was recently reading a blog post from the archive of the wonderful Eric Kim; 10 Things Magnum Photographer David Hurn Can Teach You About Street Photography. Not only has Eric’s post made me want to read David Hurn & Bill Jay’s book it has also made me think about how I approach my photography. In point 7 Eric talks about shooting with a project in mind. I have tried this in the past but with varied success, reading the blog post gave me a eureka moment. I have been doing it all wrong! I have been trying to make my life fit around a photography project when I should be making the photography project fit around my life.
The park II
I am great at coming up with ambitious projects which end up being a struggle to commit to. An idea which seems great in my head but ends up with me fighting against time and the vision instead of working with it. Many great photographers make their work fit to their lifestyle and constraints. I need to take a leaf out of their book and make time work for me.

So what better subject than my family!? I love them dearly and they certainly fall into the category of “shoot what you know”. Over time I have amassed a great number of images of my family but maybe I need to take a fresh look. Everyone has a family but nobody else has my family and nobody sees them the way I do. Other than genetics what is it that connects them to me? What do I see when I look in their eyes?

This doesn’t mean that I have to reduce my ambitions of course. If anything it means that I need to work harder and strive for more from my photography. I want to learn how to build a narrative, tell a my story. Sometimes you have to look without the camera in order to realise your vision when you are behind it.
The park III

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