I was in London this month for a conference and as luck would have it the venue was to be the brutalist paradise of the Barbican centre. For some at the conference, the beauty, geometry and texture of brutailsm was a new experience. Personally this is an architectural style which has never failed to inspire. In my minds eye I see a vision of the future which embodies hope. A coming together of form and function designed to make you take notice whilst at the same time creating an environment you can live with and in.
The conference involved long days in hot lecture halls but as the evening light lingered with promises of summer I had plenty of time to capture my two favourite subjects, people and architecture.In fact if you ever get the chance to shoot the Barbican I recommend going when the sun is low in the sky and the buildings cast majestic shadows across the squares and walkways. Some may think concrete can be nothing but boring and flat but I would challenge anyone to find a single surface of the Barbican which is anything but a feast for the eyes.
The Barbican centre itself is brimming with culture and I certainly need to book another trip where I have time to enjoy the galleries, cinema and cafes. The energy from the people who come for the performances and shows is palpable and spills out across the fountains and into the buildings themselves. Light and sound bounces back at you so you are surrounded by the electricity of the place and the people.
I stopped and talked to Tony, a professional musician who was sitting below a grand crest of the City of London. Tony was waiting for friends and had tickets for a Tchaikovsky violin concerto. We talked of London and his career in music. The following day he was playing piano at a retirement home near to where my grandad lives and where my family are from. I find the happy coincides which come from talking to strangers are always memories to cherish. All in all my trip to London and the Barbican was a very successful one indeed.
This is my city. There are many others like it but this one is mine. Or at least that is how I am starting to see Nottingham. For in seeing a city the way I see Nottingham now I feel like I am part of it and that it is mine to be a part of. My relationship with the city has been a relatively short one but like many love affairs it already feels like I couldn’t be without it.
I still know very little about the city in truth. Most of my my time has been spent on the south and east sides of Nottingham but what I have found has already given me a more than I could have expected. For me a city is as much about it’s grand architecture as it is it’s beautiful mistakes. In a city colour and form come together in ways which inspire and enchant but are simply passed by and ignored by most.
I have met many interesting people and found many interesting places in Nottingham but the jewel in the crown is Nottingham Contemporary. Just seeing the building brings a smile to my face and sometimes I feel I am drawn to it like a compass to magnetic north. Despite our short acquaintance this is now one my of favourite places to be in the world. I have found joy, sadness, humility, contemplation and plethora of other emotions within the white gallery walls and I come away feeling renewed. My photography has benefited greatly from having such a fantastic cultural resource so easily accessible.
The gallery isn’t my only draw to the city. The near by lace market district is a gift to any street photographer. Its fantastic architecture and laid back atmosphere makes for a great place to shoot and relax. Each corner and side street holds a different cafe, record or book shop which are a welcome distraction. Photography comes to the slow and deliberate, the contemplative, those who live and feel in the now. The lace market helps me find that place in my mind.
So whilst there are many beautiful cities across the world I am happy to be able to call Nottingham my own even if it is only in some small way.